這次工作坊難得邀請到幾位跨足襲產、藝術史、戰爭記憶以及日本研究的專家，包括著有學術專書Hiroshima: The Origins of Global Memory Culture (Cambridge University Press)且近期完成Nuclear Minds: Cold War Psychological Science and the Bombings of Hiroshima and Nagasaki (The University of Chicago Press, 2023)的Ran Zwigenberg，以及Alice Y. Tzeng (著有學術專書 Imperial Museums of Meiji Japan: Architecture and the Art of the Nation (University of Washington Press, 2008)，以及來自澳洲國立大學的襲產學者Yujie Zhu (朱煜杰，近期編著有Lucas Lixinski, Yujie Zhu Eds. 2024. Heritage, Conflict, and Peace-Building. Routledge)等還和台灣學者們對話，包括長期研究台灣戰爭記憶的政治大學歷史學系的藍士齊教授。歡迎師友共同來交流!
亦可參考
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Workshop on Mapping counter-topographies of colonial moments in East Asia and Southeast Asia
Time: 10:00-17:00, 2024/5/27
Venue: Room 2319, Institute of Ethnology, Academia Sinica
Organizers: Shu-Li Wang (Institute of Ethnology, Academia Sinica) and Shu-Mei Huang (Graduate Institute of Building and Planning)
Language: English
Registration required (limited lunch boxes will be available to those who registration early)
Counter-topography, as Cindy Katz suggests, can be a means for us to recognize the historical and geographical specificities of particular places while recognizing their analytic connections to specific material social practices. Mapping counter-topographies of colonial moments in East Asia and Southeast Asia, we intend to trace memories of colonialism as dynamic material practices more than a finalized product and meanwhile, to pay attention to those contested places resulting from the dynamism.
This workshop examines the ways in which the colonial past is not past, to twist/paraphrase David Dowenthal’s famous words, in the increased place-based archiving activities in the focused region in the post-colonial era. We bring together cases that allow us to identify oppression that persists and counter-practices that survive between memory preservation, eradication, circulation, and consumption of colonial memories.
The list of panelists
Ran Zwigenberg
Associate Professor of Asian Studies and Jewish Studies, Pennsylvania State University
Alice Y. Tzeng
Associate Dean of the Faculty for the Humanities and Professor of Japanese Art and Architecture, Department of History of Art and Architecture, Boston University
Yujie Zhu
Associate Professor, Centre for Heritage and Museum Studies, Australian National University
Shu-Mei Huang
Associate Professor, Graduate Institute of Building and Planning, National Taiwan University
Discussants: Shu-Li Wang (Academia Sinica) and Shih-chi Mike (History, National Chengchi University)